The peculiar building of one ‘s face and organic structure has an immediate consequence on how a individual is perceived. Worlds develop personalities and societal behaviours that are different from anyone else because of the manner other worlds react to their physical visual aspects. In the fresh Frankenstein two cases stand out in which Victor gives a description of two really different characters who change the moral force of the novel. When Victor describes his future married woman Elizabeth, and when he describes the Daemon he created. The manner Victor describes Elizabeth makes her seem like a heaven sent angel who embodies the lone goodness the fresh possesses. The Daemon to Victor epitomizes the immorality and ugliness in his life. Victor Frankenstein ‘s responses to other characters and their physical visual aspects enhance the emotions portrayed on the reader and the reader ‘s emotions change along with Victor ‘s.
Victor Frankenstein describes the first clip he of all time saw his future married woman Elizabeth Lavenza. Victor describes Elizabeth as an angel.
Her forehead was clear and ample, her bluish eyes cloudless, and her lips and the molding of her face so expressive of esthesia and sugariness that none could lay eyes on her without looking on her as of a distinguishable species, a being providential, and bearing a heavenly cast in all her characteristics ( Shelley 36 ) .
The manner Victor describes Elizabeth expresses the beauty he sees coming from her. To Victor a heavenly visible radiation radiates from her. “ Her forehead was clear and ample, ” implies that Elizabeth is free of concern and speculative. “ Her bluish eyes cloudless, ” means Elizabeth possesses artlessness. Last, “ A being providential, ” as said before he characterizes her as an angel who possess so much sugariness she would hold to be other worldly. The reader can non assist but see Elizabeth as cherished and fantastic because through Victor ‘s eyes she is described as nil else. Frankenstein is a dark novel with subjects of decease and evil more specifically: good versus immorality, intervention of the uneducated, and the invasion of engineering created on those who created it. Victor loses his full household at the custodies of the Daemon and finally goes insane in the chase to stop his life. In such a dark narrative a release is needed for the reader non to experience like no hope exists. In Victor ‘s description of Elizabeth he gives the reader the release that is needed. As cogent evidence that she is a release for him Victor ‘s temper alterations for the better whenever he receives a missive from Elizabeth, or is able to see her. Elizabeth becomes the bright topographic point in the novel or the “ light ” so to talk for the reader and for Victor.
Another case where Victor describes a physical visual aspect in which he relays his emotions is when he foremost lays eyes on his creative activity. Victor worked unrelentingly for two old ages to finish his creative activity ; his work consumed his full life. Victor describes his creative activity as holding, “ xanthous and excessively atrocious for human eyes, and his limbs while attached proportionately were now over grown and deformed ” ( Shelley 102 ) . He exclaimed that the sight of him was, “ enormous and abhorred ” ( Shelley 101 ) . Elaine L. Graham describes the animal ‘s visual aspect as a ground for other worlds to be terrified of him. Graham says, “ The ocular freak serves as the principle of the animal ‘s marginalisation by human society, even as his ain voice and human esthesias contradict such smear ” ( 64 ) . Graham claims that even though the animal ‘s voice and learned human societal accomplishments are rather acceptable his physical visual aspect continually scares people off. Victor describes his creative activity ‘s visual aspect as, “ abhorred, ” which implies abhorrence and hate so much so it makes the reader feel resistance and expostulation to his being. The Daemon after his creative activity causes the decease and devastation that haunts Victor throughout his life and makes Frankenstein such a dark novel. As Elizabeth became the visible radiation to the readers of novel the Daemon becomes the darkness.
Victor ‘s descriptions of Elizabeth and the Daemon ‘s physical visual aspects make them what they are. They are the light and dark characters in the novel who give Victor his happy minutes and horrific minutes throughout his life. But Victor Frankenstein is besides a character brought to life by the writer of the fresh Mary Shelley. Alternatively of being merely Victor ‘s physical descriptions of Elizabeth and the Daemon that sets the manner in Frankenstein Mary Shelley ‘s usage of expert technique with her authorship does besides. Shelley had to do characters who would go around around her chief character Victor. Shelley, in other words, had to do an “ other ” for Victor so what she wrote through Victor ‘s eyes and actions would hold virtue, and so she would hold a successful narrative. Diane Negra elaborates on what makes characters an “ other, ” “ Although it is now a platitude in critical surveies to gestate of a monster figure as “ Other, ” and a platitude in feminist analysis to speak about the cultural placement of the feminine as “ Other. ” Shelley understood that society of course sees adult females as the spouse or the “ other ” to their male opposite numbers. So Shelley gave Victor his opposite number in Elizabeth. Shelley besides knew that anything outside the norms of physical visual aspect would be seen as monstrous and hence automatically dubbed an “ other. ” So Shelley has besides given Victor his Daemon. Elizabeth and the Daemon can be compared to arms in Victor ‘s armory. Shelley is able moves them around strategically in order to hold a dynamic and powerful narrative. She succeeds in making such a narrative and produces a technically inspirational novel which has become a authoritative throughout the universe.